↓
 

TransverseAlchemy

Visual Curiosities: Psychedelia, Sex, Drugs and other Decadent Art. Dedicated to Those who Suckle at the Teats of Chaos.t

  • Home
  • FleshandRelics
  • CVKustoms
  • Good Karma Productions
1 2 3 >>

Tag Archives: bullshit

Post navigation

← Previous Post

Everyday Girls: an essay

TransverseAlchemy Posted on November 3, 2013 by CharlieJune 26, 2016

Being an illustrated reflection on erotica, pornography and obscenity as applied to modern photographic genres.

por·nog·ra·phy: movies, pictures, magazines, etc., that show or describe naked people or sex in a very open and direct way in order to cause sexual excitement.
1: the depiction of erotic behavior (as in pictures or writing) intended to cause sexual excitement
2: material (as books or a photograph) that depicts erotic behavior and is intended to cause sexual excitement
3: the depiction of acts in a sensational manner so as to arouse a quick intense emotional reaction <the pornography of violence>
ob·scen·i·ty:
1:  the quality or state of being obscene
2:  something (as an utterance or act) that is obscene
 (Merriam Webster) 

In the United States pornography has been regulated by the legal
standards that govern the concept of Obscenity, which refers to things
society may consider disgusting, foul, or immoral, and may include material that is blasphemous. Pornography is limited to depictions of sexual behavior and may not be obscene.
The U.S. Supreme Court has established that obscenity is not protected
by the First Amendment.  In the landmark 1957 case Roth v. United States
(354 U.S. 476)  the U.S. Supreme Court stated that obscenity
is “utterly without redeeming social importance” and not
protected by the First Amendment. The well known “Roth test” for obscenity is
“whether to the average person, applying contemporary community
standards, the dominant theme of the material taken as a whole appeals
to a prurient [lewd or lustful] interest.
“
The problem with the
Roth test is that every term used eluded a conclusive definition. Who
is “average”? Who defines “contemporary community standards”? And
something that “appeals to a prurient interest” in one context may
simply be a medical illustration in another.

In a 1966 case (383 U.S. 413) the Court concluded that
to establish obscenity, the material must not only appeal to the
prurient interest, but it must be “utterly without redeeming social value” and
“patently offensive because it affronts contemporary community standards
relating to the description of sexual matters.
” This allowed some protection for pornography, erotica and basically any classical art that included depictions of uncovered breasts. Finally, a modern legal standard for “pornography” was established in 1973 with Miller v. California (413 U.S. 15) when Chief Justice Warren Burger determined that pornographic material would be classified as obscene if it met three criteria:

  1. the work, taken as a whole by an average person applying contemporary community standards, appeals to the prurient interest;
  2.  the work depicts sexual conduct in a patently offensive way; and 
  3. the work, when taken as a whole, lacks serious literary, artistic, political, or scientific value.

Burger went further, listing examples of  “patently offensive descriptions or representations”
including representations of  “ultimate sex acts, masturbation,
excretory functions and lewd exhibition of the genitals.
” This came to define “hardcore” pornography and  Burger determined that only hardcore porn could be designated as patently offensive. This also defined soft-core pornography by default as depictions of nudity and limited and simulated sexual conduct.
Effectively; if it is not as graphic or explicit as hard-core pornography, it is protected under the First Amendment. But there is still a lot of legal grey area: even though the printing, publication, sale and distribution of “hard core”
pornography is a either a felony or misdemeanor in most states,
determination of  “hard core”is still subject to contemporary community standards, i.e. judges, juries and law enforcement officials. Nonetheless, we have the working legal structure defined.

So: in essence we have defined porn as any media [1] intended to cause sexual excitement irregardless of artistic merit. We have determined that pornography may or may not be obscene, and have further officially divided it into the two categories of “hardcore” and “softcore” more or less based on its degree of obscenity. I know it’s a bunch of dry humping but I’m now going to delve into some more philosophical and opinionated prose so it’s important to have a foundation in place. Some “safe words”, if you will.

Note: the following reflects the opinions of the author and in no way represents legal advice, the official stances of various religious institutions, your mother’s opinion or the viewpoint of any other person living or dead. You should consult an attorney/priest/psychologist for individual advice regarding your own situation.

To begin with, we all have our own definitions of what is and isn’t obscene. And I can respect that to a degree: child pornography, as a relatively universal obscenity, is and certainly should be banned and prosecuted based on the fact that children cannot grasp the fundamental concepts of sexuality and require protection from abuse and exploitation. As frequently explained by columnist and writer Dan Savage, non-consensual sex is simply wrong. I’m going with that. And I draw my own lines at various -even  legal- content such as violence. But putting the extremes where they belong on the scales of obscene material, we should also recognize that we all have breasts, half of us have penises and half of us have vaginas. If we didn’t have sex, we wouldn’t be here so it’s unarguably a natural function. And it’s such an important function- driving our very existence and taking up far more of our consciousness than most people care to admit- that attempting to remove visual representation of sexuality from our social record is ludicrous.

Personally I would offer some slightly differing subcategories of
sexually themed visual media, based on my interpretations of aesthetics;
primarily being a separation of Pornography from Erotica. This line essentially crosses the boundaries of hardcore and softcore; offering a definition based not on the actual content per se, but rather on the degree of creativity involved in depicting that content. Art, basically. I think there has been a distinction for a very long time along these lines, but with the advent of electronic media and specifically the internet it has become less blurred and defined as sharply as a Eurotrash pornstar with a shaved crotch grinding away under 500 watt halogens. I’m not sure it’s obscene, but it’s ugly. It doesn’t leave any unanswered questions. It’s a video with 60 seconds of uninterrupted close ups of a flesh piston in a flesh cylinder and it’s somehow become a standard of what I will define as Pornography.

 

I am going to make the unabashed statement that I am thoroughly enamored with the visual representation of the female body; all of it, from the toes to the vagina to the breasts to the corners of the eyes. Vaginas are beautiful things and I like looking at them. I have spent some considerable time photographing them, and judging by the historical record of art a very large number of people have done the same with varying degrees of aesthetic achievement. And while I personally don’t have the same affinity for penises, (perhaps because hey, I’m a heterosexual male and I see one every day) I have noted a marked movement away from mainstream, “industrialized” pornography into the realms of erotica simply by utilizing a creative approach. The content may be the same, but it’s moved far away from the realms of obscenity.

As the internet becomes less and less of a free space populated by various incarnations of the good, the bad and the ugly and more of a regulated program divided up between the mega corporations such as Google and Facebook, the regulation of sexually themed media is being undertaken by those corporations themselves rather than by government entities. “Depictions of nudity” is verboten by the corporate TOS in many cases, and while that may be fine for protecting impressionable young minds (their parent’s job in the first place) or self righteous zealots (shouldn’t be online in the first place) you eventually reach a point of censorship that can’t be overcome. That would suck.
thanks, rambling over.


[1] Pornography by definition generally excludes live exhibitions such as sex shows or erotic dancing.

References: 
Legal definition of Pornography (USA)
Legal definition of Obscenity (USA)
Photography (in no particular order, many photos anonymous):
Rikki Kasso
headcleaner 
Petra Collins
Joanne Leah
Vee Speers
Ján Hronský

Posted in Americana, nude, photography | Tagged bullshit, nude, photography | 2 Replies

Post navigation

← Previous Post

Bounce to my other blog, Flesh & Relics.

Notice:

This is a collection of images found online. There are generally no links or credits to the original artists as they come from random sources.
If your work is on this blog and you want it credited or removed email me with the relevant information.


 

Popular Posts:

  • The Polaroid Amateur
  • Albert Arthur Allen: forgotten American nudes of the 1920’s.
  • Back in the C.C.C.P.- Soviet Amateurs & Propaganda.
  • Alfred Cheney Johnston & the Ziegfeld Girls
  • 0cbecf5b8c779c14a9672da395e2afb3 David Dubnitskiy; Ukraine
  • French Postcards I: The Mysteries of Grundworth
  • French Postcards II: The Collections of Monseiur X.
  • French Postcards III- The Studios Biederer and Ostra
  • Introducing the Ladybirds
  • Masters of Monochrome: Part I- Helmut Newton

archives

  • 2020
    • March 2020
  • 2018
    • August 2018
    • June 2018
    • April 2018
    • January 2018
  • 2017
    • December 2017
    • November 2017
    • October 2017
    • September 2017
    • August 2017
    • July 2017
    • June 2017
    • May 2017
    • April 2017
    • March 2017
    • January 2017
  • 2016
    • December 2016
    • November 2016
    • October 2016
    • September 2016
    • August 2016
    • July 2016
    • June 2016
    • May 2016
    • April 2016
    • March 2016
    • February 2016
    • January 2016
  • 2015
    • December 2015
    • November 2015
    • October 2015
    • September 2015
    • August 2015
    • July 2015
    • June 2015
    • May 2015
    • April 2015
    • March 2015
    • February 2015
    • January 2015
  • 2014
    • December 2014
    • November 2014
    • October 2014
    • September 2014
    • August 2014
    • July 2014
    • June 2014
    • May 2014
    • April 2014
    • March 2014
    • February 2014
    • January 2014
  • 2013
    • December 2013
    • November 2013
    • October 2013
    • September 2013
    • August 2013
    • July 2013
    • June 2013
    • May 2013
    • April 2013
    • March 2013
    • February 2013
    • January 2013
  • 2012
    • December 2012
    • November 2012
    • October 2012
    • September 2012
    • August 2012
    • July 2012
    • June 2012
    • May 2012
    • April 2012
    • March 2012
    • February 2012
    • January 2012
  • 2011
    • December 2011
    • November 2011
    • October 2011
    • September 2011
    • August 2011
    • July 2011
    • June 2011
    • May 2011
    • April 2011
    • March 2011
    • February 2011
    • January 2011
  • 2010
    • December 2010
    • November 2010
    • October 2010
    • September 2010

Tag Cloud

1920's 1960's 1970's Acey Harper Al Goldstein Albert Arthur Allen Alfons Mucha Alphonse Mucha Ama Americana Anders Petersen Anita Berber architecture Art Nouveau Art of Rock Attila Sassy Banksy bar Beat Generation Bellocq Berlin Betty Broadbent body art bomb Brassai Bulgaria bullshit Cabaret Carlo Mollino catacombs Charles Wish Chicago Chuck Sperry Ciral's House of Tiki circus sideshow Clara Bow collage Communism Dada Daleks Dave Aho death deep south derbyblue Destino Diado Moriyama digital art Dope Rider Dr. Loo Dr. Seuss Drtikol Egon Schiele El Travo Collabo Elmer Batters Ephemeral art Eugenio Recuenco Flappers Flemish Art Fosco Maraini French Postcards Freud girl bands Glenn Beck glurge graffiti Graphic Art Grateful Dead Grundworth gun Harley Hedonists Hi-Fi hippie chicks Hunter S. Thompson HUSH Illustration Indian Janis Joplin Jean Marie Poumeyrol John Santerineross Jon Anderson Joshua Hedlund Jules De Bruycker Karel Teige KFC kudzu L'Âge d'Or Ladybirds Leanne ELROD Rodriguez lesbians LOA Louise Brooks Lowbrow Luca Rubbi Luis Buñuel magoo Marquette MI. Masons Masters of Monochrome Max Beckmann Merry Alpern Mexakitsch Mexico Michigan Mike Brodie Mixed Media New Orleans New York City Nixon nude nuns op Art Nude Opium Otto Dix Oz Magazine painting Paris personal shit Personal Work Peter Donnelly Peter Max Petr Flynt photography Picasso piercing Pierre Louÿs Pin-Ups Polaroid Polaroid Kid PoP Pop Art prints propoganda psychedelic art R.Crumb Roaring 20's Robots Russian Art Salvador Dali Saudek SCREW Magazine sculpture Shiko Soviet amateurs Soviet Monuments spam statistics Stephan Würth Storyville street art surrealists Tarot Tattoos Ted Coconis The Sun Between the Storms Thomas Hart Benton Tiki Tokyo Tom Huck Toulouse-Lautrec Tyson McAdoo Ukraine Un Chien Andalou vagina Vera Novak Veruschka Video vintage Vinz Feel Free Vivian de Milo Weimar Republic weird William Burroughs Yooper stuff Yoshiyuki Iwase Zbigniew Reszka Константин Фёдорович Богаевский
©2023 - TransverseAlchemy - Weaver Xtreme Theme
↑

 

Notice: This website contains nudity and other adult oriented content which may be considered offensive. You must be over 18 to enter.